Premiering at the Venice Film Festival, and set to be released by Netflix, this two-and-a-half-hour love letter to Shelley’s work comes from Guillermo del Toro, the Mexican monster-loving maestro who has already brought us such delicious creature features as Pan’s Labyrinth (2006) and the Oscar-winning The Shape of Water (2017).
Here, he casts the younger, physically-imposing Jacob Elordi, an actor who truly shows his dexterity in a performance of few words but grand and sometimes heartbreaking gestures.
When the injured Frankenstein is discovered, he’s brought aboard just as Elordi’s creature – his face almost entirely concealed – goes on the rampage. “It cannot die,” cries Frankenstein, as his creation throws men around like rag-dolls and survives countless bullets.
View oEmbed on the source websiteWhen we next glimpse Frankenstein, it’s 1855 and he’s at the Royal College of Medicine, demonstrating his attempts to inject life into a stitched-together cadaver. This “abomination” – beautifully animated, with animatronics by the way – sees him dismissed.
Yet his pioneering work attracts the erudite arms trader Harlander (Christoph Waltz), whose own niece Elizabeth (Mia Goth) is engaged to Victor’s younger brother William (Felix Kammerer).
With del Toro’s script switching to the Creature’s perspective, we get to see its encounter with a blind man (David Bradley), who shows compassion and warmth, even sharing his books, including Milton’s Paradise Lost.
It’s here where del Toro finds the story’s core humanity and Elordi – his torso made up with scars, with prosthetics make-up artist Mike Hill doing sterling work – comes into his own. There’s something almost balletic about his performance, the way he moves, the way the Creature discovers itself as a sentient being.
Everything feels tangible, with CGI backdrops kept to a minimum. The sheer invention is bewildering, notably when the camera plunges inside the Creature’s body the moment life takes hold of it.
Frankenstein is released in limited cinemas on 17th October 2025 and arrives on Netflix on 7th November 2025.
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