Was making The Thursday Murder Club as much fun as it looks?
It was a wonderful coming together of the tribe – one of those magical moments in a career. Ben and I started out together in the Royal Shakespeare Company, both ambitious and obsessed. Celia and I became really good friends on Calendar Girls [2003]. I didn’t know Pierce before making this and the Paramount+ series MobLand, but we both did street theatre before he went off and became a massive movie star with James Bond. There was a synchronicity.
View oEmbed on the source websiteThey are totally different characters, but Pierce and I have a very similar way of working, which is serious without being too serious about ourselves. Neither of us is what you would call a method actor. We find a nice, comfortable seat to sit in with our scripts and just chill together. Pierce is my wonderful late discovery. I’d like to work with Pierce for the rest of my life. I feel that we have a real chemistry.
There is a bit of that in there, but it’s never the whole thing. Strangely, people with great sexual attraction to each other off-screen can have absolutely nothing on-screen. It’s very weird. And people who really don’t like each other off-screen can have this amazing sexual attraction that the audience can perceive. I guess viewers misread the loathing that they have for each other in real life as a frisson of attraction.
Possibly. Elizabeth’s loss of her dear friend in The Thursday Murder Club is intrinsic to the story and it’s heartbreaking. And as you get older, like me, you must confront these tragedies. They come in the most unexpected of ways: sometimes it’s not the person you expect to lose that you lose. You have no idea what’s coming down the line, but it’s getting closer and closer. You could seriously get your knickers in a twist about that, but you just can’t.
In a nanosecond. And it would be the team getting back together, which would be great. We did have a wonderful time shooting this. So all of us would jump at the chance, quite honestly
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