Two Films, One Vision: Igor Cobileanski Plays With Romania’s Genre Limits at Transilvania Fest With ‘Comatogen,’ ‘The Madman’ ...Middle East

This year’s Romanian Days selection at the Transilvania Film Festival sees national filmmakers split largely into two thematic categories: piercing documentaries looking at the Romania of today and films grappling with the country of yesteryear. Igor Cobileanski’s “Comatogen,” however, goes against this grain in playing with genre to tell the story of a mother going […]

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