Sometimes, when I watch a short film, particularly a documentary, I come away feeling that it could have gone on another thirty minutes or so, and I still would’ve been hooked. Lydia Cornett’s film “Fleshwork” is roughly six and a half minutes, and when it ended, I initially felt it was too short. For some reason, despite its subject matter, I wanted more. Often, in a case like this, it’s a good idea to watch it again and see it as a perfectly self-contained piece that accomplishes what it needs to without having to tip any scales or go the extra mile to provoke the viewer for the sake of doing so. Brevity is the soul of wit, of course, and Cornett’s concise and hypnotic film will get a con
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