Someone once said, “Mike Leigh doesn’t make bad movies.” I was repeating it in the days leading to the premiere of his latest at TIFF, and his acceptance of the Ebert Director Award—more on that lovely event soon—but the truth is that the same could be said about Pedro Almodovar, who has taken the most recent decade of his career to remind us that he is a singular talent, one of the best ever. His latest just won the Golden Lion at Venice, and it’s marvelous. In his first feature-length film in the English language, he loses none of his dramatic power, directing his stars to some of the best work of their luminous careers and telling a story of incredible emotional truth. “The Room Next
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