Venice Film Festival 2024: Separated, Maria, Kill the Jockey, One to One: John & Yoko ...Middle East

The early films of innovative documentarian Errol Morris — “Gates of Heaven,” about pet cemeteries, “The Thin Red Line,” a staggering true-crime store — waxed profound on matters of mortality and morality while maintaining a wry sense of humor. His more recent works have been ambiguous—his 2018 “American Dharma,” a portrait of political ogre Steve Bannon, irritated a lot of viewers here at the Biennale for not coming down hard enough on Bannon. Maybe not coming down on Bannon at all. I saw the strategy as a kind of turnabout—Morris knows his audience is made up largely of people with progressive politics and showing Bannon as an intelligent, cagey, canny and at times ingratiating figure was

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