2024 has been a year of exciting versatility in the K-pop scene. From highly anticipated albums by BTS’ RM, TWICE, and ATEEZ, which propelled K-pop to the upper echelons of the Billboard 200, to projects by several emerging and impressive newcomers, the year has practically delivered too many releases that demand full attention, appreciation, and listen-through. Some artists underwent refreshing and creative switch-ups years into their careers: NCT DREAM embraced the dark on DREAM( )SCAPE, the ITZY members tried their hands at songwriting and composing across tracks on Born to Be, and Cha Eun Woo showcased his captivat
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