If there is any conversation around the new FX spy thriller The Veil, I fear it will be about Elisabeth Moss’s British accent. It isn’t a good one; it’s generic, with too many theatrical stresses—a voice that calls too much attention to itself. An over-the-top accent is easy to mock. But it’s only one small part of the show’s fatal problem: a star who is calamitously miscast. [time-brightcove not-tgx=”true”] Moss is a virtuosic actor with a broad range. She stole scenes as Mad Men’s initially naive, ultimately self-possessed upstart copywriter Peggy Olson and has, in her title role as a resilient resister of dystopian patriarchy, almost single-handedly carried The Handmaid’s Tale
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