Over the years, 60 Canadian artists have won the honour of showing their work in a small, angular, wood-and-glass pavilion that sits on the end of the Venice lagoon. But this is the first time an artist has draped the pavilion in luscious strings of cobalt-blue beads that shift and soften the outline of the building. The beads provide the opening glance of Trinket by Hamilton-born, Paris-based artist Kapwani Kiwanga, Canada’s representative at this year’s Venice Biennale, the world’s most prestigious art show. In her exhibit, Kiwanga literally and metaphorically connects the dots — glass bead by glass bead — of trade that radiated out around the globe from Venice, once one of Europe’s most
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