New Delhi: Women-centric movies often end up highlighting stereotypes and essentialising people who belong to different gender communities. But if, as protagonists in a narrative, women get to focus on or are oriented towards issues that confine them to pigeonholes, and also underline their experiences, perspectives and needs, it can truly be called a gynocentric film. After wowing cinephiles with her directorial debut in ‘Dhobi Ghaat’, Kiran Rao tells a story in ‘Laapata Ladies’ that does not necessarily define feminism, or deal with it, but it sure delights both men and women with nuggets that describe a variety of facets of our lives, including policies, media, art, and organisations tha
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