Even in an age when you can shoot a movie on an iPhone, you need the heart of a lion to make a film and get it out there. To make all the necessary decisions, to get the gears going for every day of pre-production, shooting, and post-production, to answer each of the million and one questions that come up on a film set, you need higher-than-normal confidence levels, and any self-doubts you have had better be worked out in private. This is as true in 2024 as it was in 1924, 1954, 1974, or any year in between. And it’s as true for a veteran director (like Martin Scorsese) as it is for a younger, less-well-known French filmmaker who got her start in documentaries (like Anatomy of a Fall
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