Hugh Grant learned some years ago that if a filmmaker doesn’t make something from the heart, it shows. The films that work best, and are most loved, he’s found, are the ones that the directors really meant. It applied to his romantic comedies with Richard Curtis as well as “Paddington 2.” And he’s pretty sure it’s true of “ Wonka.” The lavish big screen musical about a young Willy Wonka — before Charlie, before the chocolate factory — is dancing into theaters this month with its heart on its velvet sleeve. Like the “Paddington” movies, “Wonka” was dreamt up by Paul King, a lifetime Roald Dahl fan and a writer and director whom his collaborators somewhat universally agree may actually be Pa
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