A few years ago, I taught a course on Holocaust literature in a prison. One of the books that the students and I discussed was Fatelessness (1975), by Imre Kertész. It’s not the best-known work when we look at the selection written by survivors of the camps. However, it’s the most original, in that – perhaps given the distance between the horror and the publication – the author was able to tinge it with the darkest of humour, the most painful of ironies. Kertész remembers, most strikingly, “the joy of the concentration camps.” When a bunkmate died, he had an extra blanket. When he was poked and prodded in the camp hospital, he had an exquisite moment of rest. It’s a fi
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