Was it the scandal of Peeping Tom’s critical reception that put an end to Michael Powell’s career as a major filmmaker? Judging by how often this is repeated, it’s widely believed as a convenient explanation for why one of Britain’s great filmmakers produced so little of substance after 1960, while his near contemporary, and former editor, David Lean was reaching the climax of his career. But to pin the blame on Peeping Tom is to misunderstand what Powell had been trying to do for a decade before 1960. Now we have more evidence of what this was, and of the many imaginative projects he continued to hatch for nearly 30 more years. As he wrote in Million Dollar Movie, his second volume of me
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