When director Yorgos Lanthimos approached production designers James Price and Shona Heath with a vision for his latest feature, “Poor Things,” the Venice sensation and Golden Lion winner that’s landed the filmmaker and lead actress Emma Stone at the forefront of this year’s Oscar race, the notoriously meticulous and demanding director had no shortage of notes for the duo. Nor did he have any reservations about the scale of what he wanted to achieve. “When I first met Yorgos, he was talking about wanting to make a 1930s studio movie, but with today’s techniques,” Price tells Variety. Supplying the duo with visual references ranging from the paintings of French futurist Albert Robida to F
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