Producer Pierre-Olivier Bardet has become a hero to filmmakers who rock the boat – feature and documentary revolutionaries who work in ways that he says are “completely unique,” as he puts it: Albert Serra, Frederick Wiseman, Wang Bing and Alexandr Sokurov. And it’s hard to imagine anyone else who would have agreed to produce an English version of Mozart’s “The Magic Flute,” directed by Kenneth Branagh (after Francis Ford Coppola and several luminaries declined the project), set in World War I. But for Bardet, the fascination of working with those who reject the usual conventions of filmmaking is what drives him – which is a key reason he was honored at this year’s Ji.hlava Internation
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