Fifty years after their 1973 debut albums on Columbia Records, Bruce Springsteen and Billy Joel have had dozens of top 10 hits, sold hundreds of millions of records, and continue to fill arenas and stadiums. Their success is undisputed and their legacies secure. What doesn’t often receive attention is how, a half-century later, the suburban roots of both men still play a key role in shaping the contours of those legacies. By the middle of the 20th century, New York City had developed a distinct musical culture that reflected its polyglot character. From earlier eras, the city had spawned minstrelsy, Broadway show tunes, and the Tin Pan Alley recordings, producing superstar performers like
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