A country that experienced a long dictatorship and civil war is hardly a breeding ground for experimental art practices. The division among different factions is reflected in the art world and makes it harder for Libyan artists to build a community. “Libyans have the habit of dimming each other's light so that other people don't progress, even though that would cost the development of the entire art scene,” says Prague-based Wareda Elmehdawi, curator at the foundational space Art House in Tripoli. “This is a practice that has been happening during a 42-year dictatorship. So obviously, it doesn't just disappear overnight.” It is true that in the art world dealing with
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