A few years ago, at a bar on Toronto’s Ossington Avenue, I had the good fortune to see Nathan Fielder sing Kate Bush at karaoke. A veteran of the city’s comedy scene, Fielder was returning as something of a conquering hero. His Comedy Central series, Nathan for You—in which he played a fictional version of himself, promising to revive the fortunes of struggling L.A.-area businesses with outlandishly elaborate promotional schemes—was a critical hit. Watching the stone-faced Fielder wail the lyrics of “This Woman’s Work” (“I should be crying, but I just can’t let it show”), I couldn’t help but wonder: Is this for real?The question haunts Fielder’s work. He’s in the business of blurring reality
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