Beirut-based artist and writer Bassem Saad’s Congress of Idling Persons is certainly quite a unique example of filmmaking. Recently premiered at the MoMA Doc Fortnight (23 February-10 March) and recipient of a Special Mention at CPH:DOX (23 March-3 April), Saad’s medium-length picture constitutes a performative act of political protest exploring the aesthetic boundaries between experimental cinema and video art. "Lebanon’s local context serves as a starting point to explore other concurrent social tensions, including the late years of the Arab Spring, the murder of George Floyd and the subsequent Black Lives Matter protests, the war in Syria as well as the endless Isr
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