Romantic notions about Swinging Sixties London were slashed to pieces at the Venice Film Festival yesterday with the premiere of Last Night in Soho. It is a very different role for Anya Taylor-Joy, the breakout star from last year’s Netflix hit The Queen’s Gambit miniseries, who finds herself doused in gallons of blood in the new psychological horror. However, at its heart, the movie has a serious point to make about our rose-tinted views of the past, director Edgar Wright told journalists in Venice. “It’s dangerous to romanticise the past,” he said. “As you get further away from a decade, you tend to concentrate on the good things. “The Sixties become about the fashion or Carnaby Street an
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