D.H. Lawrence understood early on that his calling was to divide readers and friends. He hated to be silenced but loved to be hated. “It’s either you fight or you die,” he wrote in a late poem, taunting his readers as the matador taunts the bull in the mesmerizing opening of his often hateable novel The Plumed Serpent. It’s extraordinary how far he succeeded: what extremes of love and hate he has provoked. For decades after his death, every critic, almost every reader, had their opinion about Lawrence. Responding to his statement that his “great religion is a belief in the blood, the flesh,” they granted him power to redeem or defile the world. Some modeled themselves on his characters, usin
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