The Natural Harmony of Faces - Issue 104: Harmony ...Middle East

Researching my upcoming book on film, Suddenly Something Clicked, I was struck by something that had not occurred to me in 50 years of film editing. In closeups and medium closeups, cinematographers tended to place the eyes of actors along a line corresponding to the golden ratio division of the vertical dimension of the frame. In correspondence with cinematographers Vittorio Storaro (Apocalypse Now), John Seale (The English Patient), Caleb Deschanel (The Lion King), and directors Francis Coppola and Carroll Ballard, it became clear that this was not a conscious decision on their part. Seale put it succinctly when he wrote “I just try to make the face feel comfortable within the frame.”The g

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