What atrocities a human being is capable of and the psychic torments she might or might not suffer in consequence are, to a disturbing degree, social questions. In Joshua Oppenheimer’s disorienting 2012 documentary, The Act of Killing, a group of Indonesian gangsters reminisce in fond tones about the mass rape, torture, and murder they committed together in the mid-1960s, reenacting some favorite scenes for the camera. Swaggering, they dress each other up in candy-colored suits and hats like something out of Guys and Dolls, recall violent techniques they cribbed from Hollywood movies, and recruit women and children to play victims, instructing them on just how to beg for their lives. (After
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