This year’s slate of nominees for the Academy Awards brings Amiri Baraka to mind. In his 1965 essay “The Revolutionary Theatre,” Baraka called for Black productions that might “stagger through our universe correcting, insulting, preaching, spitting craziness … but a craziness taught to us in our most rational moments.” One wonders what Baraka—who insisted upon the importance of the theatrical arts to the Black radical tradition—might make of this moment, with the Academy recognizing Black films like Netflix’s Ma Rainey’s Black Bottom, Warner’s Judas and the Black Messiah, Amazon’s One Night in Miami…, Hulu’s United States vs. Billie Holiday, and the documentary Time. If, as David Scott claim
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