Cristin Milioti, an actress of irrepressible charisma, is for some reason a natural at playing women who are being squashed, constrained, or otherwise manipulated by some of the worst men on the planet. Here is an example: In a television series that begins as a romantic comedy but ends in horror, she is courted by a man who behaves less like a devoted lover than he does a bloodhound on the scent. He toes the line that separates “quirky” from “crazy” from the moment that they meet, piling on the kind of slick romantic gestures that already seem more than a little creepy in the movies, and in life seem like the actions of a psychopathic stalker. His love for her is contingent on her ability t
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