When Ari Aster’s breakup fantasia Midsommar was first released in 2019, many women I knew cited one of its earliest scenes as a particularly traumatizing moment—namely, a protracted argument between its grieving heroine, Dani, and its deadbeat antihero, Christian, that elegantly depicted the way men are sometimes capable of shifting, quietly and without effort, the dynamics of a couple’s disagreement. Dani, who has been bereaved in unthinkably violent circumstances, has just learned that Christian planned to take a month-long trip abroad without her knowledge, and although initially she demands answers, he disarms her by behaving as if she is acting like a crazy bitch. He falls silent and re
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