The Other Elliot Sister faces the same trap as The Other Bennet Sister ...Middle East

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Scripted by Sarah Quintrell and based on a novel being written concurrently by Janice Hadlow, the series promises to shine a light on “an intriguing figure at the edges of Persuasion,” according to Bad Wolf CEO Jane Tranter.

But then, the same suspension of disbelief was required to believe that Mary Bennet (Ella Bruccoleri) was maligned and forgotten despite being part of within  the oeuvre of one of the English language’s most prominent and enduring authors, and a persistent subject of re-imaginings. Though, she was certainly more anonymous than Elizabeth Elliot despite being part of the oeuvre of one of the English language’s most prominent and enduring authors, and a persistent subject of re-imaginings. Though, she was certainly more anonymous than Elizabeth Elliot.

It might seem strange to critique a television show that doesn’t yet exist, based on a book still being written. But Austen fans who watched The Other Bennet Sister flatten the characters of Pride and Prejudice to make Mary more sympathetic have greeted the news of a follow-up with a dose of dread.

Sir Walter Elliot is a pathologically vain subversion of Mr Bennet’s passive, ostensibly jovial, manner, and Elizabeth is a cold enabler in direct opposition to the adored Jane Bennet. If Mary was, as The Other Bennet Sister alleges, the misunderstood underdog, the “other” sister in Persuasion is, arguably, its protagonist Anne: loved but unvalued, in grief for a lost mother and a love she was persuaded to leave behind.

Elizabeth isn’t an immediately obvious victim in this toxic system, so much as an enforcement mechanism – something that has made her unliked, but certainly not forgotten, by Austen fans.

Therefore, turning her into a sympathetic protagonist will require a deft and sensitive hand – one that was notably lacking from The Other Bennet Sister as it stripped the Bennets of all nuance; choosing, instead, to victimise Mary and vilify the women around her. It is difficult to imagine the same team being able to tackle the darker, more urgent, dynamics of the Elliots.

It remains to be seen how The Other Elliot Sister approaches this, but The Other Bennet Sister is instructive here, too. It redefined Mrs Bennet (Ruth Jones) from a practical woman, concerned with her daughters’ future if they are not married off, while their beauty makes that simple to a cartoonishly abusive villain. Similarly, it framed Mr Bennet’s (Richard E Grant) passive, selfish disinterest in Mary as a tragic inability to express his admiration due to his wife’s tyranny.

An approach that would leave Persuasion, and Elizabeth, shorn of Austen’s most urgent throughline. It is, after all, her most economically anxious novel. Are we about to see a timely, resonant story that redefines Elizabeth as the practical figure of a crumbling family during one of the worst cost-of-living crises in memory? The same opportunity for grounding social commentary was ignored in The Other Bennet Sister. It’s difficult to imagine the subtext of Elizabeth being driven to her obsession with status by financial panic taking front-and-centre when Hadlow and Quintrell rejected the same overt nuance in Mrs Bennet.

On a more grounded level, Elizabeth could make a surprisingly comic protagonist who cannot understand Anne even though we, the audience, do. Alternatively, there’s a moving story to be told of her finding catharsis following the death of her father. Those are only two of many obvious directions that might preserve Austen’s spirit. 

The Other Elliot Sister will air on BBC iPlayer and BBC One.

Check out more of our Drama coverage or visit our TV Guide and Streaming Guide to find out what's on. For more TV recommendations and reviews listen to The Radio Times Podcast.

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