Richard Marx had an opportunity to work with Taylor Swift before she became a global superstar, but the ’80s music icon decided against it. Years later, he is opening up about why he passed on the chance — and why he still believes it was the right call.
According to Ultimate Classic Rock, Marx recalled the encounter during a recent appearance on the Bob Lefsetz podcast. The conversation took place around 20 years ago, when music executive Scott Borchetta had recently launched Big Machine Records and signed Swift.
Marx, known for hits including “Right Here Waiting” and “Hold On to the Nights,” was having dinner with Borchetta when the record executive invited him to listen to demos from his newly signed artist.
After playing a few of Swift’s recordings, Borchetta asked Marx whether he wanted to write songs with her.
Marx declined the offer after learning how young the future pop superstar was at the time.
“I said, ‘Dude, what the f— am I going to write with a 15 year old girl?’” Marx recalled, according to Ultimate Classic Rock.
Although Swift’s career would eventually reach extraordinary heights, Marx explained that his decision was based on whether he believed he could contribute meaningfully to another artist’s songwriting.
As he explained, he wants to work with musicians when he believes he can help them in a way they cannot already accomplish on their own. At the time, he did not believe he was the right collaborator for Swift.
Marx also addressed the idea that he might regret passing up the opportunity after seeing how successful Swift became.
“When I tell that story, [people] go, ‘Oh my God, you must be kicking yourself,” he said. “And I go, ‘No, I did the right thing. Like, I wouldn’t have been any good to her, you know?”
Swift has since become one of the world’s most successful recording artists, building a career through hit albums, major tours and songwriting that has earned her a devoted international audience.
For Marx, however, the missed collaboration is not a decision he wishes he could reverse. Rather than viewing it as a lost opportunity, he sees it as a case of recognizing that a particular creative partnership would not have been the right fit.
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