Photojournalist Steve Winter on his iconic Hollywood puma image, the illegal tiger trade and having a black panther knock on his door ...Middle East

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"If anybody had said, 'You're going to work with big cats for 25 years of your career,' I would have said 'No, I don't know anything about big cats,'" he told Live Science. "But I learned from scientists and local people," he added. "That was very, very important — that's what, to me, was the biggest change in my life."

In their new book, "Big Cats" (National Geographic Books, 2026), Winter and Guynup provide a retrospective of their careers, looking at the fragility of these predators, the conservation work helping to save them, and the challenges they still face. Live Science spoke with Winter about his career, the changes he's seen, and why he's hopeful for the future.

Steve Winter has won numerous international awards, including BBC Wildlife Photographer of the Year and BBC Wildlife Photojournalist of the Year. He lectures internationally on photography and conservation issues and has been interviewed on CBS Nightly News, 60 Minutes, NPR, BBC and CNN. He contributes regularly to National Geographic magazine, for which he can spend months working on a single story. He’s camped for weeks in steamy jungles, vast grasslands, and at 15,000 feet in the Himalayas to capture cats’ stunning beauty and secret behaviors. (Image credit: Steve Winter)

Steve Winter: I always look at the images that have had an impact at the time. That makes a huge difference to me, because in the end, I know that in taking this [photograph], not only did I succeed beyond my wildest expectations, but it's making a difference in the world. Right now, I have just been putting remote cameras up on what will be the world's largest wildlife overpass, and that was started by my Hollywood cougar picture of P-22, Puma 22, under the Hollywood sign. [Editor's note: The common names cougar, puma and mountain lion all refer to the same species, Puma concolor.]

To think about that is pretty amazing, so right now, P-22 and the Hollywood cougar is my go-to image.

HO: How did the P-22 photograph come about?

When you're working with camera traps, it's very important to visualize the picture in your mind that you're after [when] you visit a spot. I just said, "Well, Jeff, you know what would really tell the story of urban wildlife is if we had a mountain lion under the Hollywood sign." He looked at me like I'm crazy, and said, "There's no mountain lions in Griffith Park." I said, "If anything changes, let me know."

A cougar that biologists had chased into a tree so they could collar it to monitor its movements via GPS. (Image credit: Steve Winter)

With camera traps, you don't need to sit, and I learned that from the beginning. For the second story I did, it was photographing a quetzal, which is a sacred bird of the Maya and the Aztecs. I knew nothing about birds, either. It's got a meter-long [3 feet] tail. I was enamored by the fact that it had a historical background — they used quetzal feathers as a form of currency; they were sacred birds.

I grabbed the walkie-talkie to call Juan Carlos, the naturalist that I was working with. He would find the quetzal nests for me. I asked him, in Spanish, "Juan Carlos, what is this?"

Two Asiatic lionesses greeting each other with a nose-to-nose touch. (Image credit: Steve Winter)

HO: Throughout the book, you look at topics like poaching, captive tigers in the Tiger Temple in Thailand, and the way they're kept in the U.S. for entertainment. And a lot of these things are still going on. How do you cope with seeing that side of their lives?

But close by was this place called the Thai Tiger Temple. And I said, "Hey, guys; I'd like to go there." And they said, "No, Steve; don't go. These are bad people, and we think they're involved in the black-market trade of tiger parts and tigers to Laos and then into China."

I could see something was fishy right away, because by then, I'd learned a lot about these cats. They kept saying that they always had 150 tigers. But you could pet tiger cubs for Instagram selfies or bottle-feed them 365 days a year. If you're breeding tigers, what are you going to have? More tigers. Something was happening to them, because the death rate wouldn't take over the birth rate when you're speed-breeding cubs, which is what they were doing. A female has cubs; they take them away immediately so she'll be ready to have another litter. You can only use the cubs for three months because after that, they're too big to pet.

[Editor's note: Winter and Guynup worked together on an investigation into the Tiger Temple in 2016, which eventually led to it being exposed for its abuse and connections with the illegal wildlife trade. Shortly after, the Tiger Temple was shut to the public.]

Three tigers that were rescued from Joe Exotic's Oklahoma zoo cooling down at the Wild Animal Sanctuary in Colorado. (Image credit: Steve Winter)

Stopping this is really important. After that, we did a story on tigers in the U.S., which was very difficult psychologically. It was one thing to see them in Thailand, but we had always heard that there were more tigers in the United States than there are in the wild, and people would go, "What are you talking about? We don't have tigers here."

After that story came out, the National Geographic Society gave a copy of this 30-page story that we had done for the magazine to every member of Congress. We got this text on 20th December, 2022, that President Biden had signed the Big Cat Public Safety Act, which outlawed all that. We were part of getting this law passed, which was incredible.

SW: Conservation was changing a lot in the '90s and 2000s. Alan Rabinowitz [a zoologist who served as the president, CEO and chief scientist at Panthera Corp., a nonprofit conservation organization devoted to protecting wild cats] had this idea after he had a lot of scientists in Central and South America give him data on where they were working and where jaguars were. When he took it away and just showed the locations, he goes, this is a corridor, a natural corridor, because now we're talking a lot about connectivity and how roads get in the way. It's like animals are in prison because they can't cross these big freeways or even small ones. Find out where animals are, their migrating paths, and put in an overpass or an underpass or something.

A Cape leopard cub in the Cederberg Wilderness Area in South Africa. (Image credit: Steve Winter)

HO: Are you hopeful for the big cats in LA?

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SW: Big cats are so charismatic and, to me, mystical. And they're an umbrella species, so if you save the largest predator, which is usually a big cat in any landscape, you save everything underneath it.

I just fell in love with big cats, and what a life to be able to work with every one of them. The only one that was on my list that I haven't done is the Amur tiger, Siberian tiger [Panthera tigris altaica]. When I was ready to photograph them with the scientists that had been monitoring them for over a decade, [the tigers] got canine distemper and about 60% died.

I won't get to photograph Amur tigers. And the reason is, there's people — locals — who are working on it, and they're doing an incredible job. I've got a book here that has all the cats that I've worked on. The impact these stories have had, and the change that's come about, is what really makes me proud.

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National Geographic Big Cats

National Geographic photographer Steve Winter has spent his career photographing big cats around the world, from the graceful jaguars of Brazil’s Pantanal to the elusive Himalayan snow leopard. His photographs astound; his stories, even more so. In Big Cats, Winter and environmental journalist Sharon Guynup share experiences behind the lens.In chapters on every key species—cougar, jaguar, leopard, snow leopard, tiger, and lion—readers will witness the power of Winter’s work, including uplifting stories of how his photographs have made a difference and powered important conservation efforts on behalf of these mighty creatures.

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