Mungiu’s Fjord, which won the Palme d’Or at Cannes earlier in the year, offers a healthy dose of very nutritious vegetables, and in places the story almost—almost—stretches the bounds of believability. But its actors, including Sebastian Stan and Renate Reinsve, as well as two young newcomers, make you believe in one family’s sudden nightmare. Do the authorities entrusted to protect our children always know what’s best for them? Fjord suggests, provocatively, that the answer may not always be yes.
Stan and Reinsve in Fjord —Courtesy of Neon
Unless you know Norway’s judicial system, you might be tempted to wonder: Could one family really be broken up that fast, with so little evidence? Mungiu’s premise seems somewhat far-fetched, intensified for dramatic reasons, though it’s worth noting that his script is based on a real-life case in Norway. And recently, in the U.S., Child Protective Services interviewed the children of former Secretary of Transportation Pete Buttigieg, separating the children from their fathers for 24 hours, after receiving a tip alleging that they were at risk. The report was proved false, but the incident shows how easily a system designed to protect kids might be manipulated.
Yet amid all the child-custody drama Fjord lays before us, a subplot involving the deepening friendship between Elia and a neighbor couple’s daughter, Noora (Henrikke Lund-Olsen), ends up being the film’s most powerful and moving element. These two young teenagers aren’t just navigating a new friendship; they’re exploring feelings that may or may not be the roots of romantic love. Sometimes kids tell us what we need to know about life, even if it’s not always the lesson we expect or want. And sometimes they steal a movie away from the grownups. Fjord, perhaps unbeknownst even to the man who made it, really belongs to them.
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