10 NEW TO NETFLIX
“Boyhood““The Breadwinner““The End of the Tour““Knock at the Cabin““Oculus““On Chesil Beach““The Room Next Door““The Squid and the Whale““Sundown““Top Gun: Maverick“
12 NEW TO BLU-RAY/DVD
“12 Angry Men” (Criterion)
People often ask me which classic films they could use to introduce their teenagers or children to movies made before this century. I think two of the best “gateway” movies for classic cinema are “Rear Window” and Sidney Lumet’s masterful 1957 debut, a movie that has lost none of its power in the almost seven decades since its release. Criterion has given this masterpiece the 4K upgrade this month with a new digital restoration, accompanied by the excellent special features from the first physical release, including the original 1954 teleplay version on which Lumet’s adaptation was based.
Special Features
New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features Television version from 1954 of 12 Angry Men, directed by Franklin J. Schaffner for the series Studio One, with an introduction by Ron Simon, curator at the Paley Center for Media Production history of 12 Angry Men, from teleplay to big-screen classic Archival interviews with director Sidney Lumet Interview with screenwriter Walter Bernstein about Lumet Interview with Simon about writer Reginald Rose Tragedy in a Temporary Town (1956), a teleplay directed by Lumet and written by Rose Interview with cinematographer John Bailey about director of photography Boris Kaufman Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by writer and law professor Thane Rosenbaum“Backrooms“
There are two films from 2026 that people are pointing to as shifts in the industry: Curry Barker’s “Obsession” and Kane Parsons’s “Backrooms,” which got the physical media treatment from A24 this month. One of the company’s biggest hits, this horror hit stars Chiwetel Ejiofor, Renate Reinsve, and Mark Duplass in the story of a liminal space found parallel to an ordinary furniture store. These movies signal a shift from the grief-driven horror of the ’10s and early ’20s to something that captures the non-stop anxiety of the current era, one in which we can never be quite sure what’s real. The Blu-ray includes some cool collectible postcards, but the real draws are the feature commentary from Parsons himself and 16 minutes of bonus footage.
Special Features
“Everything Must Go” Bonus Footage (16m) Feature commentary with Director Kane Parsons, VFX Supervisor Edward J Douglas, Sound Designer Eugenio Battaglia, and Composer Edo Van Breemen “Building the Backrooms” Featurette (26m) VFX & Scene Breakdown with Kane Parsons (16m) Prop Walkthrough with Kane Parsons (1m30s) Two VFX Breakdowns with optional commentary (5m and 2m) Six Collectible Postcards“Disclosure Day“
Steven Spielberg’s latest blockbuster proved to be one of the most divisive films of the year. I stand by every word of my review linked above, but I also find the criticisms of the film fascinating in that so many of them boil down to a commentary on how cynical and hopeless people feel in the 2020s. One of the main criticisms of the film is a lack of belief that there’s anything in 2026 that could unite us, even proof of alien existence. Yes, Spielberg’s film is hopeful to an arguably illogical degree, but he’s always trafficked in hope, and no one can deny the craft on display in this film. We can fight about the screenplay, but I can’t dismiss how much this movie does well because of a few flat lines of dialogue or even a climax that plays more like movie magic than reality. The Blu-ray is a bit disappointing with some standard EPK stuff. Maybe it will get the Special Edition it deserves down the road.
Special Features
DOLBY VISION/HDR PRESENTATION OF THE FILM DOLBY ATMOS AUDIO TRACK Encountering the Unknown: Inside Disclosure Day – Steven Spielberg, Emily Blunt, and the rest of the cast uncover the filmmaking secrets and real-life inspirations behind the movie Spielberg and Williams: A Legendary Collaboration Trailers“Go” (Arrow)
In the wake of the success of “Pulp Fiction,” dozens of independent filmmakers found their funding to make similarly twisty, funny action flicks about people doing bad things. Most of them were awful, but not Doug Liman’s explosive 1999 thriller about intertwining plots on one fateful December night. Future Oscar winner Sarah Polley plays a clerk who decides to try to rip off a drug dealer (a fantastic Timothy Olyphant), starting a series of events that spirals through a great cast of characters that also includes Katie Holmes, Jay Mohr, William Fichtner, and Scott Wolf. Liman directs this with such flair that it stands out from the crowd, another entry in one of the best years of the 1990s. Arrow Home Video treats the film very well, including a new commentary, new interviews, and the multiple special features from other physical releases, including a Liman short film that stars Melissa McCarthy (who even does a commentary on it). Like almost everything Arrow has been releasing lately, this is a must-own.
Special Features
DOLBY VISION/HDR PRESENTATION OF THE FILM Original lossless DTS-HD MA 5.1 audio Optional English subtitles for the deaf and hard of hearing Brand new audio commentary with critics Bryan Reesman and Max Evry Archival audio commentary with director Doug Liman and editor Stephen Mirrione From the Word Go, a brand new interview with screenwriter, co-producer and second unit director John August A View Askew, a brand new interview with actor Desmond Askew Archival making-of featurette 14 deleted scenes God, John August’s 1998 short film featuring Melissa McCarthy, shot using the short ends of film stock from the production of Go with much of the same crew, presented in high definition for the first time on home video Optional audio commentary on God with John August, Melissa McCarthy and editor Douglas Crise Theatrical trailer Image gallery Reversible sleeve featuring original and newly commissioned artwork by Ben Beach Collectors’ booklet featuring new writing on the film by David Michael Brown and Michelle Kisner, and original production notes“I Love Boosters“
In retrospect, Neon dropping Boots Riley’s latest surreal comedy in the heart of the Summer Movie Season might have been a mistake. The competition just for screens for it to play on had Riley himself doing his best to promote the film all over social media. If you did miss it, you owe it to yourself to check out one of the most original comedies in years, a sharp dissection of late-stage capitalism and an ode to the hustlers and survivors. Keke Palmer leads a remarkable ensemble that includes Naomi Ackie, Taylour Paige, Poppy Liu, Eiza Gonzalez, Don Cheadle, Demi Moore, and an unforgettable LaKeith Stanfield. The Neon Blu-ray also includes a commentary from the unforgettable Boots himself.
Special Features
HDR PRESENTATION OF THE FILM Audio commentary with Boots Riley Never before seen cast interviews “The Making of I LOVE BOOSTERS” documentary program Blooper reel“Minions and Monsters“
It’s slightly tragic that the best Minions movie to date appears to be the first one that Illumination and Universal could call a commercial disappointment. Don’t get it twisted: This still made an insane half a billion dollars worldwide, but it’s still less than half of 2015’s “Minions,” and less than any of the “Despicable Me” movies. What’s the deal here? Was it because “Toy Story 5” was still dominating the family box office? Is it just fatigue with the little yellow guys? Whatever the reason, anyone who has ever liked one of these movies should check out the 7th film in the hit franchise. It’s a smart, funny ode to the history of filmmaking that works for all ages.
Special Features
MINIONS TAKE ON HOLLYWOOD – Go behind the scenes of MINIONS & MONSTERS as the filmmakers and artists at Illumination reveal the inspiration behind its early Hollywood setting, from story and casting to period research and cutting-edge animation, while introducing a new generation of Minions. CASTING MINIONS & MONSTERS – Meet the voices behind the wide array of characters as filmmakers discuss what talent brought to their respective roles and what they hope fans of the franchise take away from the film. HOLLYWOOD SOUND – Step into the studio with composer John Powell as he crafts a score inspired by the sweeping sound and timeless style of Hollywood’s golden age. HOW TO MAKE YOUR OWN IRENE BLOB MONSTER SLIME – Using simple ingredients found at home, follow along with slime influencer Snoopslimes in this step-by-step guide to make your very own Irene blob monster slime to devour anything in its path! MOVIE-MAKING MINIONS STYLE – Take a seat in the director’s chair and make your very own Minions-inspired monster movie with this simple how-to, using hand-drawn art and flipbook animation to recreate one of the earliest forms of filmmaking. HOW TO DRAW -Follow along with head of story Nima Azarba as he teaches you how to draw the Minions, monsters, and more!“Nouvelle Vague” (Criterion)
The Cannes 2025 response to Richard Linklater’s ode to Jean-Luc Godard and the making of “Breathless” was a bit conflicted with some thinking its tone a bit shallow and predictable given Godard’s depth and ambition. And then it came stateside, and the reputation seemed to shift. It even made this site’s top ten of the year. And now it’s earned a place in the Criterion Collection with a new 4k digital master, a new audio commentary with Linklater, and an incredible audiovisual dossier from Farran Smith Nehme. Every time that a great streaming movie gets a physical release, it’s a reason to celebrate, and this is one of the more impressive to date in the Netflix-to-Criterion pipeline.
Special Features
New 4K digital master, supervised and approved by director Richard Linklater and director of photography David Chambille, with 5.1 surround DTS-HD Master Audio soundtrack One 4K UHD disc of the film and one Blu-ray with the film and special features New audio commentary featuring Linklater Le making of “Nouvelle Vague” (2025), directed by Lucie Saada Interviews with Linklater and actors Zoey Deutch, Aubry Dullin, and Guillaume Marbeck Within the Wave, an audiovisual dossier on the real-life figures depicted in the film, by critic Farran Smith Nehme Linklater’s prerehearsal manifesto, read by Deutch Selection of trailers from French New Wave films Trailer English descriptive audio PLUS: Essays by critic Nick James and coscreenwriter Vince Palmo and an introduction by Linklater“The Secret Agent” (Criterion)
This is another Cannes 2025 title getting the Criterion treatment 15 months after its acclaimed international premiere. Kleber Mendonça Filho’s thriller was easily one of the best films of 2025, nominated for Oscars for Casting, International Feature Film, Actor, and even Best Picture. Wagner Moura does the best work of his increasingly promising career as Armando, a professor forced into hiding under Brazil’s dictatorship. Criterion has gone all out for this one, including another full feature by Mendonça, the excellent “Pictures of Ghosts.” It also includes deleted scenes, a documentary about the making of the film, and a new video essay. It’s a great release.
Special Features
New 4K digital master, approved by director Kleber Mendonça Filho, with 5.1 surround DTS-HD Master Audio soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and two Blu-rays with the film and special features Pictures of Ghosts (2023), a companion film by Mendonça Filho Making-of documentary featuring interviews with Mendonça Filho, actor Wagner Moura, and other members of the cast and crew New interviews with director of photography Evgenia Alexandrova and sound mixer Cyril Holtz New video essay featuring Mendonça Filho Deleted scenes Archival material that inspired the film, with commentary by Mendonça Filho Trailer New English subtitle translation PLUS: An essay by film programmer and curator Dennis Lim“Shoah” (Criterion)
I don’t usually quote the official synopsis for a film, but this wording about the essential “Shoah” caught my attention: “The intellectual yet emotionally overwhelming Shoah is not a film about excavating the past but an intensive portrait of the ways in which the past is always present, and it is inarguably one of the most important cinematic works of all time.” You can’t say that about a lot of films but it’s undeniably true about Claude Lanzmann’s stunning historical document. I’ll quote Roger on this one too, from his original review in 1985: “There is no proper response to this film. It is an enormous fact, a 550-minute howl of pain and anger in the face of genocide. It is one of the noblest films ever made.”
Special Features
2K digital restoration with uncompressed monaural soundtrack Three additional films by director Claude Lanzmann: A Visitor from the Living (1999, 68 minutes); Sobibór, October 14, 1943, 4 p.m. (2001, 102 minutes); and The Karski Report (2010, 49 minutes) Conversation between Lanzmann and critic Serge Toubiana Interview with Lanzmann from 2003 about A Visitor from the Living and Sobibór Interview with Caroline Champetier, assistant cameraperson on Shoah, and filmmaker Arnaud Desplechin All I Had Was Nothingness (2025), a new film by Guillaume Ribot, edited from previously unreleased footage and recounting the production of Shoah Trailer PLUS: An essay by critic Kent Jones and writings by Lanzmann“Supergirl“
What happened to “Supergirl”? Just as it looked like the James Gunn era of the DCU was going to correct for the previous era with the success of 2025’s “Superman,” the franchise came crashing to the ground with this critical and commercial flop. A major superhero movie that can’t make over $130 million worldwide? That’s a movie that people really don’t want to see. And it led people to wonder if it was superhero fatigue or gender issues that forced the failure, when it’s also possible people just didn’t like this movie. To be fair, most people judged Milly Alcock innocent, and the DCU will likely rebound with next yerar’s “Man of Tomorrow”. It’s also worth noting that “Lanterns” is doing well on HBO and the right people seem excited about “Clayface.” And that the WB Blu-ray for “Supergirl” is pretty strong, especially the HD quality and audio mix, which are always top notch from WB.
Special Features
DOLBY VISION/HDR PRESENTATION OF THE FILM DOLBY ATMOS AUDIO TRACK The Making of Supergirl – Consider Supergirl a “Hero’s Journey” for Milly Alcock. She transformed throughout the process of leading her first feature film. We watch as a fly-on-the-wall during key moments of production. Flying Off the Page – Supergirl: Woman of Tomorrow, written by Tom King with art by Bilquis Evely, was the jumping off point for DC to adapt Supergirl into a film. We follow the comic authors, screenwriter Ana Nogueira, and filmmakers, as they make the leap from page to screen. Space is a Bad Neighborhood, Babe – Explore with Production Designer Neil Lamont, as he takes us through the many worlds that Kara Zor-El steps into on her journey to hunt down Krem of the Yellow Hills. A Practical Legacy – There are so many aliens and unique looks in this film that are literally out of this world! Legacy Effects and Peter Swords King explain the creative process behind this diverse group of creatures. Showdown at Evely Square – Production spent a month filming this action set-piece. From stunt training, to crashing tanks, to classic superhero flying moments, this breaks down the making of an incredible action scene. The DC Dream: Lobo – Jason Momoa has been outspoken over wanting to play Lobo for years, and now his time has come. Go behind the scenes as he transforms into this iconic and chaotic character. Mixtape for a Hero – What does Supergirl, as a character, sound like? Director Craig Gillespie and Composer Claudia Sarne answer this question as they discuss the score for the film. You Are Here: A Supergirl Map of the Galaxy – If you want to know more about all the planets visited in the film, check out this piece, narrated by Ruthye herself, actress Eve Ridley, to learn some more details, and enjoy the alien aesthetic of the film up close! Girl’s Best Friend – Krypto is Kara’s badly-behaved BFF and last connection to her home world of Krypton. We delve into their relationship and what makes it so special. Krypto Saves the Day: Coastal Catastrophe – An animated short that tells the story of a fun day at the beach which goes sideways when some sneaky foes get between Krypto and his hot dog. Deleted Scenes“Tequila Sunrise” (Arrow)
Robert Towne’s 1988 thriller came along at the tail end of a wave of ’80s adult noirs, following movies like “The Postman Always Rings Twice” and “Body Heat,” flicks about beautiful people committing crimes when they’re not having sex with each other. The Oscar-winning writer of “Chinatown” never quite had the career as a director that he did as a writer, and this is an interesting curiosity, a movie that never quite lives up to its potential, but definitely works now as a bit of a time capsule. Mel Gibson, Michelle Pfeiffer, and Kurt Russell star in a movie that Roger said, “weaves a tangled web, and there are times when we are not sure what is happening, or why.” Maybe new interviews with producer Thom Mount, 2nd AD Robert Roda, and actor Lala Sloatman could help answer those questions, or perhaps a brand new appreciation of Towne by Lucy Bolton. This is another case of Arrow giving a lavish treatment to a film that history has arguably forgotten, and bless them for it.
Special Features
NEW 4K RESTORATION FROM THE ORIGINAL CAMERA NEGATIVE DOLBY VISION/HDR PRESENTATION OF THE FILM Original and newly restored lossless stereo and 4.0 audio Optional English subtitles for the deaf and hard of hearing Audio commentary by producer Thom Mount California Dreaming, a brand new interview with producer Thom Mount From Chinatown to Manhattan Beach, a brand new appreciation of Robert Towne by Lucy Bolton Sunrise to Sunset, a brand new interview with 2nd AD Robert Roda Sin City, a brand new interview with actor Lala Sloatman Image gallery Theatrical trailer Collectors’ booklet featuring new writing on the film by Sean Hogan and Josh Nelson, and excerpts from American Cinematographer Reversible sleeve featuring two original artwork options“Toy Story 5“
Two things can be true: Andrew Stanton’s Pixar sequel can be both the worst movie in this franchise and totally worth seeing. “Toy Story 5” is good; the only problem is that the other four movies are great. Still, a good Pixar movie is worth seeing at least once, and probably worth owning if you have little ones. Stanton wisely centers Joan Cusack’s Jessie this time, filling in her back story in as Bonnie becomes obsessed with the screen culture that is arguably destroying actual play time for millions of kids. It looks gorgeous, especially in 4K, and it’s undeniably sweet and clever.
Special Features
DOLBY VISION/HDR PRESENTATION OF THE FILM DOLBY ATMOS AUDIO TRACK Audio commentary The Toys Are Back in Town Casting Playtime 50 Buzzes and The Great Escape The Lost Toys Gag Reel Deleted ScenesHence then, the article about home entertainment guide september 2026 disclosure day the secret agent backrooms toy story 5 more was published today ( ) and is available on Roger Ebert ( Middle East ) The editorial team at PressBee has edited and verified it, and it may have been modified, fully republished, or quoted. You can read and follow the updates of this news or article from its original source.
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