In New England, movement changes with the season—but it never stops. It’s the early alarm before the city wakes, the final push up a steep incline and the song that makes a cold commute feel like a victory lap. The right track doesn’t simply fill the silence; it changes your pace.
Curated by Billboard’s editorial team and informed by Luminate’s streaming and consumption data, Planet Fitness Movement Mixes reflect what people are actually playing, replaying and moving to. Each playlist brings together the songs dominating right now with enduring records that carry the unmistakable energy of the region.
Built from Billboard’s editorial expertise and the top 200 tracks streamed across New England since January 2026, the New England Energy Movement Mix (listen HERE) moves as dynamically as the region itself. Current favorites like “APT.,” “CUFF IT” and “Not Like Us” meet the hometown spirit of Noah Kahan’s “Stick Season,” Boston’s “More Than a Feeling” and high-energy regional anthems from Aerosmith, Marky Mark and the Funky Bunch, and the Dropkick Murphys.
There’s no single New England sound—and no single way to move. Pop, hip-hop, rock and regional staples share the same pulse, creating a mix built to carry you from the first step through the final stretch.
APT. – ROSÉ & Bruno Mars –“APT.” turns a Korean drinking-game chant into a tightly wound pop-rock rush. ROSÉ and Bruno Mars trade vocals over punchy drums, bright guitars, and a hook engineered for instant participation. Its playful repetition and relentless pace give the track the feeling of a spontaneous night out—fast, communal, and impossible to experience sitting still.
Espresso – Sabrina Carpenter – “Espresso” moves with a light, self-assured bounce, pairing glossy pop production with Sabrina Carpenter’s conversational delivery. The track never pushes too hard; its momentum comes from a nimble bassline, quick phrasing, and a chorus that lands with effortless precision. It’s polished, playful, and built around the kind of confidence that changes your stride.
CUFF IT – Beyoncé — “CUFF IT” channels disco, funk, and R&B into a release that feels both sophisticated and uninhibited. Beyoncé glides across bright horns, elastic bass, and a rhythm designed to open up the room. The result is celebratory without losing control—a reminder that movement can be its own form of freedom.
NUEVAYoL – Bad Bunny – “NUEVAYoL” connects Puerto Rican identity with the unmistakable electricity of New York, moving between nostalgia, pride, and celebration. Bad Bunny draws on salsa history before shifting into a harder contemporary rhythm, allowing generations and genres to occupy the same space. It feels like a city block in motion—layered, loud, and alive.
Just Wanna Rock – Lil Uzi Vert – “Just Wanna Rock” strips movement down to its most immediate elements: percussion, repetition, and instinct. Built around a Jersey club rhythm, the track moves quickly and leaves little room for hesitation. Lil Uzi Vert treats the beat like choreography, creating a compact burst of energy that became inseparable from dance and viral movement.
Not Like Us – Kendrick Lamar – “Not Like Us” pairs Kendrick Lamar’s sharp delivery with production that is spare, rhythmic, and immediately commanding. The track’s bounce gives every line room to land while keeping the record in constant motion. What began as a pointed statement quickly expanded into a communal anthem, driven by a hook built to be shouted back.
No Hands – Waka Flocka Flame featuring Roscoe Dash & Wale – “No Hands” captures the carefree pulse of early-2010s Southern hip-hop, driven by booming production and an unmistakable hook that refuses to sit still. Waka Flocka Flame, Roscoe Dash, and Wale each bring distinct energy, turning the record into a defining party anthem of its era. Its continued resurgence only reinforces its lasting cultural imprint and nostalgic pull.
Don’t Stop the Music – Rihanna – From its opening pulse, “Don’t Stop the Music” locks into forward motion through house-influenced production and layered vocal energy. Its interpolation of Michael Jackson’s “Wanna Be Startin’ Somethin’” creates a thread of familiar nostalgia, while Rihanna anchors the track with steady command. It remains a fixture of dance floors and movement playlists around the world.
Treasure – Bruno Mars – “Treasure” revisits the sheen of late-’70s and early-’80s funk-pop with crisp bass, bright synths, and rhythmic guitar. Bruno Mars keeps the performance light on its feet, letting the groove do most of the work. The record’s precision never gets in the way of its joy—it feels polished, immediate, and made to move.
A Bar Song (Tipsy) – Shaboozey – “A Bar Song (Tipsy)” reworks a familiar hook into a modern crossover moment, blending country storytelling with hip-hop cadence. Built for communal singalong energy, it thrives on repetition and momentum. Its success reflects both the pull of recognition and the freshness of hearing nostalgia translated into a new musical language.
Pink Pony Club – Chappell Roan – “Pink Pony Club” begins as a personal leap toward freedom before opening into something much larger. Chappell Roan’s theatrical delivery rises alongside pounding drums and bright synths, transforming self-discovery into a full-room celebration. Its momentum is emotional as much as physical: the sound of choosing the place where you feel most alive.
I Had Some Help – Post Malone featuring Morgan Wallen – “I Had Some Help” pairs the ease of a country singalong with the immediate structure of a pop hit. Post Malone and Morgan Wallen trade blame over bright guitars and driving percussion, giving the song a playful tension that keeps it moving. The chorus arrives quickly and lands collectively, built for open roads, crowded rooms, and voices joining in.
Stick Season – Noah Kahan – “Stick Season” turns a uniquely New England phrase into a restless reflection on memory, distance, and the difficulty of letting go. Noah Kahan’s rapid phrasing moves over acoustic guitar with a pace that feels almost conversational, gradually building emotional weight. Rooted in Vermont, the song captures the stark transitional period between autumn and winter while finding momentum inside uncertainty.
More Than a Feeling – Boston –“More Than a Feeling” opens with restraint before expanding into soaring guitars, layered vocals, and one of classic rock’s most recognizable choruses. Created by the Boston-formed band, the record carries both technical precision and emotional scale. Its gradual lift makes it a natural movement track: nostalgic at its core, but still capable of creating an immediate surge.
Good Vibrations – Marky Mark and the Funky Bunch – “Good Vibrations” is pure early-’90s kinetic energy, driven by house production, emphatic vocals, and a chorus built around physical release. Mark Wahlberg brings Boston attitude to a record that treats confidence as an active state rather than a mood. Decades later, its beat still feels engineered for aerobics rooms, dance floors, and any moment that needs an extra push.
Walk This Way – Aerosmith – “Walk This Way” runs on rhythm as much as rock, pairing Joe Perry’s instantly recognizable guitar riff with Steven Tyler’s tightly packed vocal delivery. Aerosmith’s Boston roots give the track a direct regional connection, while its later crossover with Run-D.M.C. expanded its cultural reach. In either version, the record remains sharp, physical, and built around forward motion.
I’m Shipping Up to Boston – Dropkick Murphys – “I’m Shipping Up to Boston” turns a pounding rhythm, distorted guitars, and Celtic instrumentation into an unmistakable regional rallying cry. The Dropkick Murphys build intensity through repetition, allowing the track to accelerate without losing its rawness. Its deep connection to Boston sports culture has made it synonymous with entrances, victories, and collective adrenaline.
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