Shakira and Burna Boy’s “Dai Dai (FIFA World Cup Official Song 2026)” nets a milestone 10th week at No. 1 on the Billboard Global Excl. U.S. chart. It also tops the Billboard Global 200 chart for a seventh week. It first led the lists in July and remains the biggest song in the world more than a month after the end of soccer’s signature international tournament.
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Plus, Karol G’s “BbY WOW,” with Judeline and rusowsky, reaches the top 10 of both charts and Stella Lefty’s “Boston” bounds to the Global 200’s top 10. Additionally, five Dolly Parton classics enter the Global 200 following the legend’s Aug. 25 passing, led by “Jolene” in the top 20.
“Dai Dai” drew 36.7 million streams (down 9% week over week) and sold 4,000 (down 15%) worldwide Aug. 21-27, according to Luminate. It totaled 31.4 million streams (down 9%) and 3,000 sold (down 18%) outside the U.S.
“Dai Dai” becomes just the seventh song to have ruled Global Excl. U.S. for 10 or more weeks since the global charts began in September 2020. Here’s the elite club:
20 weeks at No. 1, “Golden,” HUNTR/X: EJAE, Audrey Nuna & REI AMI, 2025-26 19, “APT. ,” ROSÉ & Bruno Mars, 2024-25 17, “Die With a Smile,” Lady Gaga & Bruno Mars, 2024-25 14, “All I Want for Christmas Is You,” Mariah Carey, 2021-25 13, “Flowers,” Miley Cyrus, 2023 13, “As It Was,” Harry Styles, 2022 10, “Dai Dai (FIFA World Cup Official Song 2026),” Shakira X Burna Boy, 2026Elsewhere in the Global Excl. U.S. top five, Tame Impala’s “Loser,” sparked by its Spider-Man: Brand New Day sync, rises 3-2 for a new best; Justin Bieber’s “Beauty and a Beat,” featuring Nicki Minaj, lifts 4-3, after two weeks at No. 1 in May; BTS’ “Swim” splashes 5-4, following eight weeks at No. 1 since April; and Ariana Grande’s “Hate That I Made You Love Me” falls 2-5, after it spent its first two weeks on the chart at No. 1 in June.
“BbY WOW” surges 37-5 on the Global 200 and 41-10 on Global Excl. U.S., led by a 45% gain to 26 million streams worldwide. Karol G notches her seventh top 10 on the former ranking and her eighth on the latter. Judeline and rusowsky each earn their first top 10 placements on the charts.
Ella Langley’s “Choosin’ Texas” holds at its No. 2 Global 200 high; “Loser” keeps at its No. 3 best; and “Hate That I Made You Love Me” is steady at No. 4 after three nonconsecutive weeks at No. 1 starting in June.
Plus, Stella Lefty’s “Boston” rumbles 17-10 to become her first Global 200 top 10, with 24.1 million streams (up 9%) and 5,000 sold (up 22%) worldwide. It’s the first debut chart entry by a woman that has also hit Billboard’s Hot Country Songs chart to reach the Global 200’s top 10.
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Just beyond the Global 200’s top 10, Parton’s “Jolene” debuts at No. 16 with 18.5 million streams and 20,000 sold worldwide. It’s joined by “9 to 5” at No. 25 (15.4 million streams, 19,000 sold); “Islands in the Stream,” with Kenny Rogers at No. 43 (13.4 million streams, 17,000 sold); “I Will Always Love You” at No. 55 (10.9 million streams, 21,000 sold); and “Here You Come Again” at No. 133 (7.7 million streams, 13,000 sold).
On Global Excl. U.S., “Jolene” is No. 70 (8.7 million streams, 5,000 sold outside the U.S.), with “9 to 5” at No. 136 (6.5 million streams, 4,000 sold) and “Islands in the Stream” at No. 141 (6.4 million streams, 4,000 sold).
The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
The latest charts, dated Sept. 5, 2026, will update on Billboard.com tomorrow, Sept. 1. For both tallies, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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