Before it became one of the most successful sci-fi trilogies ever made, Back to the Future almost never made it to theaters at all. Writers Robert Zemeckis and Bob Gale conceived the time-travel story in 1980, but their script was turned down 44 times over the next several years. Columbia dismissed it as “too sweet,” Universal initially argued time-travel movies didn’t make money, and Disney passed as well, reportedly uneasy with the plot point of Marty McFly’s mother falling for her own son back in 1955.
The tide turned once Zemeckis scored a hit with 1984’s Romancing the Stone. That success finally got Universal on board, with Steven Spielberg signing on as producer through his Amblin Entertainment banner. Even then, the production wasn’t smooth. Eric Stoltz was originally cast as Marty McFly, and the crew shot five weeks of footage with him before Zemeckis decided the tone wasn’t working and pushed to recast Michael J. Fox, an expensive last-minute swap that meant reshooting much of the film.
The gamble paid off. Back to the Future opened on a $19 million budget in July 1985 and held the No. 1 spot at the box office for 11 of its first 12 weeks. It finished its run with $215.6 million domestically and $173.2 million internationally, for a worldwide total of $388.8 million. Two sequels followed in quick succession, Back to the Future Part II in 1989 and Part III in 1990, earning $332 million and $245 million worldwide, respectively. Bob Gale later admitted a follow-up was never part of the original plan, telling The Hundreds in 2015, “We had no idea that there was ever going to be a sequel.”
Four decades after nearly two dozen studios said no, it remains one of Hollywood’s most enduring what-ifs and is still growing with its own unofficial holiday, Back to the Future Day, every October 21.
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