"He dug so deep to try to understand the dynamics of fire," Howard recalled. Rather than relying solely on the screenplay, De Niro met with three real-life fire investigators, asked them to read the script with him and studied everything from their personalities to their body language. At first, Howard admitted he wasn't entirely sure what the actor was trying to accomplish. That changed as soon as filming began.
The experience made such an impression that Howard borrowed the same philosophy when directing 1994's The Paper. To recreate the frantic energy of a New York newsroom, he spent time shadowing legendary journalist Pete Hamill at the New York Post and the Daily News, taking notes on the language, rhythms and interactions he witnessed. Howard even invited his cast to join him, believing those real-world details would translate to the screen.
Looking back, Howard credits De Niro's work on Backdraft with teaching him that the most authentic performances don't always come from what's written on the page but from the actors themselves.
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