But the semi-autobiographical stories of Laura Ingalls Wilder have faced a more complicated legacy in recent years. As the notion of manifest destiny has become decidedly more problematic, so too have Wilder’s words, even prompting the US Association for Library Service to Children to remove her name from one of its awards in 2018.
It’s a judgement that was no doubt in the minds of those adapting the stories for this eight-part reimagining from Netflix, a second season of which has already been commissioned.
View Green Video on the source websiteBut the episodes prove more nuanced than the promotional art would suggest, with those who previously remained out of shot now allowed to step fully into frame. So, while the plot follows the familiar route of the Ingalls family leaving the woods of Wisconsin for a new life on the open prairie, attention is also paid to those whose land is being settled, specifically the Osage people forced to surrender what was once theirs.
Laura, too, is given fresh food for thought when she meets a girl named Good Eagle (Wren Zhawenim Gotts), whose Osage family are neighbours of the Ingalls'. Given that Good Eagle is an entirely new creation, there’s no way of knowing whether Laura would have forged a friendship quite like the one depicted here, and some viewers could accuse Netflix of applying a distinctly 21st-century filter to frontier life. Others, however, may see it more as a justified widening of the perspective.
Amid the soul-searching, there’s also wisdom of the more homespun variety threaded throughout the series, with Caroline gaining the upper hand over the community’s resident snob, Mary navigating first love and Laura learning how to handle disappointment, alongside a Christmas-themed hour boasting almost Hallmark levels of wholesomeness. And really, it wouldn’t be Little House without at least a little sentimental syrup drizzled over proceedings.
Little House on the Prairie will be released in full on 9 July on Netflix.
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