This latest true-crime drama from 5 – whose previous reconstructions have included the Soham murders and the scandal surrounding Huw Edwards – returns to the moment that narrative first took hold: when Kate (played by Laura Bayston) was formally declared an “arguida”, or suspect.
Progress has stalled, leads are sketchy and no arrests have been made. Yet it quickly becomes clear that Inspectors Joao Carlos (Hugo Nicolau) and Ricardo Paiva (Miguel Freire) are no longer searching for an outside culprit but attempting to implicate Kate herself.
What follows is a succession of interviews – crafted from investigators’ notes rather than verbatim transcripts, as the sessions were not audio recorded – that escalate rapidly from procedural to accusatory.
Glimpses of the wider investigation are fleeting: a sniffer dog detecting traces of blood in a car boot, crime-scene officers rifling through books in the McCanns’ apartment, Gerry (James Robinson) expressing frustration with the tactics of family lawyer Carlos Pinto De Abreu (Carlos Agualusa).
Even so, it’s startling to realise just how close events came to a charge, especially given the questionable evidence and the fact that the McCanns were cleared the following year.
View oEmbed on the source websiteUltimately, the drama’s narrow focus leaves the wider context out of reach, with everything post-2007 relegated to on-screen captions. Yet that concentration on one flashpoint also sharpens something more internal.
In watching Kate condemn herself for leaving her children alone in the apartment – and admit that the pain is one she will carry for the rest of her life – we sense that, for all the accusations levelled in her direction, the harsher tribunal may be the one she conducts against herself.
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