But Austen-adjacent fiction—particularly works derived from Pride and Prejudice—has long been a cottage industry unto itself, and several of those stories cast a revisionist eye on the most maligned Bennet girl. Is it really so bad to be bookish? Could you really blame any unbeautiful teen growing up sandwiched between two perfect older sisters and two adorable younger ones for tirelessly promoting her own talents, dubious though they may be? Debuting May 6 in the U.S. on BritBox, the BBC’s The Other Bennet Sister adapts Janice Hadlow’s 2020 novel into a light yet thoughtful romantic comedy that is bound to delight fans of the genre, anyone experiencing Bridgerton withdrawal, and even, I think, those hard-to-please Janeites.
From left: Maddie Close, Poppy Gilbert, Ella Bruccoleri, Molly Wright, and Grace Hogg-Robinson in The Other Bennet Sister —James Pardon—BritBoxAs her sisters are married off in quick succession, to the immense satisfaction of their mother and the exaggerated indifference of their ill-matched father (Richard E. Grant, always a pleasure), Mary alternately struggles to be noticed and gives up on attracting any man worth wedding. What she needs, the most astute observers in her life tell her, is a break from playing the black sheep of the only community she’s ever known. She gets it when her kind aunt and uncle, the Gardiners (Indira Varma and Richard Coyle), summon her to London as their children’s governess. Like so many misfits, she thrives in the city. Mrs. Gardiner becomes the mother she should’ve had, encouraging Mary to pursue her interests and own her tastes, garish though they may be. Which, in turn, leads her to make friends who appreciate her cerebral quirks.
Richard Coyle and Indira Varma in The Other Bennet Sister —James Pardon—BritBoxThe Other Bennet Sister is not an innovative show. Its visual style is just as plain as anything you’d find on Masterpiece, though I’m glad to see inclusive casting becoming the norm for period fare (find another actor who makes you love Mrs. Gardiner the way Varma does, I dare you). Memorable characters like the snobbish Caroline Bingley (played divinely here by Tanya Reynolds, in a callback to her Emma. role) aren’t all the series nicks from its source material; the plot and dialogue are pure Austencore. It’s a quality imitation, though. Quintrell knows precisely how much Bennet-sister bonding she can squeeze in without crowding out Mary’s story and where she can wink at the fandom without alienating everyone else. If you want a satisfying rom-com, you could do worse than emulating the writer who invented the genre.
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