Frodo and Sam — The Lord of the Rings
(New Line Cinema)Let’s start with a classic, the greatest missed opportunity in an all-time great fantasy series. Peter Jackson’s The Lord of the Rings trilogy had all the necessary ingredients for a queer epic. Two twinks are tasked with throwing an evil piece of jewelry into a flaming pit, while hordes of burly orcs hunt them down. The queer subtext is palpable across the entire cast. Gandalf and Saruman’s bitter wizard rivalry fueled by unspoken gay yearning. Legolas and Gimli’s potential enemies-to-lovers romance on the field of battle. The gloriously genderbent antics of Éowyn. But the hottest fires of repressed queer desire burn near the summit of Mount Doom, when Samwise Gamgee whispers in Frodo’s ear about the taste of strawberries and then carries him on his back to complete their quest. Bilbo’s memoirs might call them friends, but the Fellowship of the Ring (and everyone else in Middle-earth) knows better.
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