Four months later, Sixty-Three launches to replace Nineteen Fifty-Six ...Middle East

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Four months after the University abruptly cancelled their publication, former editors of Nineteen Fifty-Six launched Sixty-Three, an independent successor, at Monarch Espresso Bar Friday. The magazine was published by Masthead, an alumni nonprofit.

Over 50 people gathered at the shop Friday night, where the magazine’s cover was revealed for the first time and editions were handed out. The name Sixty-Three, like Nineteen Fifty-Six, pays homage to the University’s first Black students. 

James Hood and Vivian Malone, the University’s first Black students to enroll, registered in 1963, facing resistance from Alabama Gov. George Wallace in what came to be known as the Stand in the Schoolhouse Door. Autherine Lucy became the first Black student to attend classes in 1956.

“Just like Lucy paved the way for Malone and Hood, Nineteen Fifty-Six paved a way for Sixty-Three,” said Kendal Wright, editor-in-chief Kendal of Sixty-Three. 

The edition, titled “Good News,” features positive stories to serve as a “beacon of light in an otherwise dim news cycle,” according to a foreword from Wright. 

The magazine opens with a profile of Tionna Taite, who founded Nineteen Fifty-Six in 2020 in the wake of a nationwide reckoning over police officers’ killing of George Floyd. 

The staff at Sixty-Three worked out of Canterbury Episcopal Chapel, various coffee shops, and numerous staffers apartments. Wright called the publication a “nomadic” magazine, saying  the decentralized locations made the process more impactful and helped to bond the staff. 

“There is a whole network of people who can sympathize with you and are willing to help you,” Wright said. “My community is so much bigger than I thought.”

The University of Alabama abruptly shut down Nineteen Fifty-Six and another publication, Alice Magazine, in December. Vice President for Student Life Steven Hood cited a memo from former U.S. Attorney General Pam Bondi from last July. The memo provided federal funds recipients with guidance on antidiscrimination law and provided nonbinding suggestions for compliance.

“Ending Nineteen-Fifty-Six was really a mistake,” said Xavier Routt, assistant photo editor for Sixty-Three. “Look at all the people here. There’s clearly people that want this.” 

Former staff members from Alice launched their own successor, Selene, at an event Thursday at Druid City Brewing Company.

Selene and Sixty-Three were funded after Masthead launched a successful $25,000 fundraising campaign in the days after the magazines were shuttered. Masthead started a subsequent $60,000 fundraising campaign on March 25 to fund the publications through next year.

“I feel like we really showed our resilience and our ability to bounce back. I’m really happy we’ve overcome so much,” said Arriyana Hayes, Sixty-Three public relations editor. 

The launches of Sixty-Three and Selene came as the University has weathered intense criticism for closing their predecessors as the issue made national headlines. Students and faculty have petitioned the University, UA stakeholders have written letters to The Crimson White, the Faculty Senate and another faculty group condemned the closure, and students sued the UA System Board of Trustees. Experts have said the University likely violated the First Amendment.

“I believe that in the not so distant future, both publications will be able to come back to campus and that in the meantime, Sixty-Three will continue to serve those underserved communities and serve as experiential learning spaces for undergraduates to get their start in magazine publishing,” Wright said. 

In its inception, Nineteen Fifty-Six was pitched as a way to address the lack of Black student perspective on campus. Now, Sixty-Three aims to continue its legacy.

“It’s just amazing to be able to be a place where people can feel represented, and people can put forth their best work and their most creative work,” Wright said. 

 

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