Set 15 years after the events of The Handmaid’s Tale, Agnes (Chase Infiniti) is a plum (a pre-pubescent girl in Gilead) ripe for the picking for an arranged marriage by one of the aunts at Aunt Lydia’s finishing school for girls. Groomed until they are 'truly worthy' of a husband (aka become fertile), the teenage girls – dressed in plum, pearl or green – are primed to run a household with training in the culinary arts, lace work and the scriptures.
From vomiting at the first assembly when a man is brutalised for his crimes to sneaking out a cassette late at night to relive the freedom of her life before the regime, Daisy is an anomaly in this well-orchestrated order that threatens to disrupt everything that these girls have been raised and trained for.
View Green Video on the source websiteInevitably, there was an immense amount of pressure for The Testaments to live up to The Handmaid’s Tale record-breaking success, both for the book, initially, and this adaptation. Yet, even with the minor tweaks to the novel to increase the possibility of a second season, The Testaments is a triumph.
Infiniti and Halliday shine in this fraught duality of their fragile and tested new connection. Agnes processes the confusion, confliction and fear about the debutant’s future as they all blossom into their green, grown-up uniforms, while Daisy’s secrets start to fracture and surface to explain the real reason for her relocation to Gilead.
Through Agnes, Daisy and Becka (Mattea Conforti), The Testaments offers a darker insight into a girl’s coming-of-age, away from the nostalgic girlhoods that have washed the cultural landscape for the past few years, that focuses on domesticity, subservience and fertility as the epitome of a girl and woman’s ‘worth.’
These "lambs don’t stray" from their flock, under the Aunt’s watchful eyes, otherwise they are shunned and shamed not only for their own sins, but for every other man’s too. "Just by existing, we were mortally dangerous to otherwise perfectly good men," Agnes contemplates.
View Green Video on the source websiteDesensitised to the brutality of the state, the true violence of the series is witnessed not in bloodied acts (which are predominantly kept off-screen), but in the hunger, feral nature of (initially) these young girl’s craving for god’s justice.
The plums become their most animated, angered selves when they’re given permission to call for the murder or punishment of rapists and violent disturbing men in their assemblies. They may only hold a fallacy of true power, but it’s harrowing nonetheless to see the extent of the girl’s indoctrination to not only hold god’s grace, but his unyielding hand of judgement too.
The Testaments premieres on Disney+ on Wednesday 8th April 2026.
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