BTS scores its seventh No.1 on the Billboard Hot 100 with “Swim,” and producer Diplo joins Billboard to discuss his extensive work on the group’s comeback album, ARIRANG. Diplo takes us inside the two-month studio process at Conway Studios in Los Angeles, where he worked with all seven BTS members to create their highly anticipated return to music after four years. Stephen Sanchez discusses “Love, Love, Love” and his upcoming European tour, plus a rundown of the current Hot 100 top 10
Diplo: The team was like, ‘That sounds more like a j-hope song, that more sounds like a Jimin song. So, like, those guys have their own style.’
Stephen Sanchez: It makes me want to take off my pants and go and swim.
Tetris Kelly: And die. Does BTS swim to the top of the charts? BTS is back, and we got Diplo here to talk all about it, and Stephen Sanchez is here to discuss “Love, Love, Love.” Let’s start by jumping into the charts. This is the Billboard Hot 100 top 10 for the week dated April 4. “Folded” is back in the top 10. “The Fate of Ophelia” slips to nine.
Diplo: Happy now with some, like, PinkPantheress, who’s like, well, I love what she does. I love her, like, vibe, and Zara too. She’s like, a big comeback story because I feel like her story was, like, ‘I did this thing with a label forever, and I’m gonna do it myself.’ And people want to be like, ‘Let’s see what you got.’ And she like, did it, you know? She’s also Swedish. So it just helps, because they’re just the best at every kind of like, songwriting.
Tetris Kelly: “Stateside” falls to eight. That’s numbers 10 through eight. And as you can see, we got Diplo here to give us his thoughts. I’ll give it to you guys in New York.
Xander Zellner: Diplo, thank you so much for being with us today.
Diplo: Thanks for having me.
Xander Zellner: This is awesome. So I guess to kick things off, we have to talk about BTS and their new No. 1 album, ARIRANG. It’s No. 1 on the Billboard 200. Obviously their track “Swim” is really taking off. You are all over this album. You produced a lot of it. You wrote a lot of it. What was your experience like working with them?
Diplo: The boys. I was in Conway studios with them for about two months in and out in L.A., but we did a lot of prep work. We did a lot of music for them, almost like 80 tracks to kind of whittle down, and then just working with the personalities, figuring out what the idea was for them to come back. And I’m telling you, they’re very hands on. I think every artist has, like, writing credit. I think RM has credit on every song, but they wrote basically every piece of every record on the record, they had, like, their ideas and their concepts, and had a big list of who they wanted to work with, and really different sounds. And some were very surprising to me.
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