In The Life and Death of Colonel Blimp, a classic 1943 film that traces, in vaguely allegorical fashion, half a century’s evolution in England’s national character, the actress Deborah Kerr plays a series of roles that represent changing incarnations of the ideal British woman. Were a similar technicolor romance to portray America’s national character over the past seven decades, the right would be represented by a series of characters all named L. Brent Bozell.In our film’s dramatic climax, L. Brent Bozell IV (“Zeeker” to his friends) is shown in a red baseball cap and blue sweatshirt lettered “Hershey Christian Academy” (with which, that institution assures us, Zeeker is not affiliated) am
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