Why you should watch DTF St Louis: Apple TV's super weird crime show with a soft underbelly ...Middle East

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**Contains spoilers from episode 1 of DTF St Louis.**

Nowhere is that more apparent than in the crime genre, where it's increasingly rare to find originality – although tried and tested formulas can still deliver satisfying results if executed well. Case in point: Mare of Easttown.

Created, written and directed by Steve Conrad (The Secret Life of Walter Mitty, The Pursuit of Happyness), the limited series stars Ozark's Jason Bateman ("I appreciate Jason’s commitment to showing the rest of the world how strange the state of Missouri truly is at its core," reads one YouTube comment) and David Harbour as colleagues Clark Forrest, a local weatherman, and Floyd Smernitch, a sign language interpreter. It's not your average crime series dynamic, that's for sure.

He's downloaded a hook-up app: DTF St Louis (that's 'down to f**k', for the uninitiated. Fans of Jersey Shore, of which this writer was regrettably one, will already be well acquainted with the term). And he gently encourages Floyd, who's also married (Linda Cardellini plays his wife Carol) to do the same.

Curiouser and curiouser.

Deploying needle drops is an art form and Ozzy Osbourne's spiky rendition of Sunshine of Your Love works exquisitely here, capturing both the sexual charge between Clark and Carol and the huge "Oh, f**k" rattling around Clark's head after he's been arrested for murder live on air. And people say the weather is boring.

And that doesn't just extend to the central mystery. Eyebrow-raising moments and absurd dialogue are par for the course across the four episodes made available for review. Unusual professions are standard practice – Floyd used to be married to a fortune teller; in one scene, he encounters a roller dancer and hypnotist.

It's certainly not every day you meet a porn positive detective, and Floyd's passion for hip-hop dance is an inspired turn. Plus, who knew Harbour could pop it and lock it quite so gracefully?

When she first tells him, "You can do anything with me. You never have to have any fears about sharing anything with me," it reads like a cheap male fantasy. Having sex with your friend's hot wife – and she's game for anything? Yup, we've seen this film before. Except we haven't.

That often surfaces in the quieter moments: Floyd's clothes don't fit properly, so he's trying to "lose a few"; he attempts to connect with his socially reclusive, rock-throwing stepson by going to therapy with him.

Putting aside the salacious, scandalous aspects of DTF St Louis, the series threads grounded, human concerns through the eccentricity, like, what comes first: midlife malaise or a marriage in decline? Or does the decline of a marriage facilitate midlife malaise?

But as one gentleman puts it: "Nobody's normal, they just look that way from across the street."

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