Here, he plays Troy, brought into a young offender institution on remand as he faces grave charges: conspiracy to commit murder. Arriving the same day as the Polish-born Krystian (Vladislav Baliuk), with whom he soon forms a tight bond, he also runs into the very dangerous Dion (Sekou Diaby). Either Troy smuggles in a phone or D – as he calls himself – is going to make life very difficult for him. Thankfully, Krystian causes a distraction to help Troy sneak the burner past the guards, but it won’t be the last time D calls upon him.
Scripted by Nick Love, with whom Walters collaborated on TV show Bulletproof, this feels like a million miles away from the excessive, boyish tone of Love’s own movies as a director (most recently, the Danny Dyer-starring Marching Powder). Of course, Animol comes nowhere near the brutal nature of Alan Clarke’s Scum – still the Daddy of all Brit prison flicks – but, like Wasteman, it shows a very real side to modern-day prison life. From drones used by unseen outsiders to drop contraband over the walls to the way drugs and violence are commonplace, it paints a grim-but-convincing picture.
View oEmbed on the source websiteGraham’s character Claypole even provides one of the most surprising moments, when he convinces the inmates to drop their egos and join him in a bit of free-form dance. It might look a bit like the ‘Rainbow Rhythms’ episode of sitcom Peep Show, but it’s a touching scene, and one that helps Animol stand out from other prison films, which are so frequently filled with relentless and unforgiving despair.
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