After decades of chart-topping hits, sold-out tours, and songs that defined an era, ’80s heartthrob Richard Marx assumed he had already done the most meaningful work of his career. But as he now admits, one unexpected creative decision changed everything—and left him feeling more energized than he has in years.
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“I pretended it was 1948 and I was a young songwriter pitching a song to Sinatra,” he explained of the creative approach behind the album. “That’s how I wrote the first new song.”
“That’s a tall order,” he admitted. “Any new compositions would have to match the quality of those songs.”
Once that creative door opened, everything else followed. Marx committed to recording the album live, in the same spirit as classic recordings by Frank Sinatra, Dean Martin and Ella Fitzgerald—singing every take start to finish with a full band in the room.
The result, he says, was unlike anything he had experienced before.
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Finding Joy Instead of Pressure
Watching how close friend Hugh Jackman handles fans helped reshape that mindset. Marx has said it taught him the value of generosity and presence, especially in fleeting encounters that mean far more to fans than they might to the artist.
“I’m not a grumpy old man when it comes to technology,” he said, noting that his choice to record live wasn’t about rejecting modern tools. “I did it this way because I could—and because it felt right.”
A Full-Circle Moment
The album also became unexpectedly personal. Marx reflected on how his late father, a respected arranger and musician, would have reacted to hearing the finished record.
For an artist whose early career produced massive hits like “Right Here Waiting,” “Satisfied,” and “Hold On to the Nights,” the idea that a late-career project could feel this vital came as a surprise—even to him.
“‘Dude, what the f--k are you doing?!’” he joked. “I was just so dumb—like every other 20-something.”
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