The catalog is small at the moment—only 14 cassettes—but already really interesting. There's a bootleg cassette of music played at a Spanish nightclub in the late 1990s (lots of squelchy noises and relentless bass) and a 90-minute recording of New York hip hop station WBLS captured in '94 (Warren G.'s "Regulate" represent), amid more mysterious choices, like this haunting recording from a "destroyed cassette tape found on the side of the coast highway near Heraklion" in Greece; this tape full of ominous noises found in a parking lot in Tbilisi, Georgia; tape of binary code from Barcelona; and a cassette recorded in the USSR featurng 1970s pop hits.
Intertapes could be viewed as a reflection of the growing cassette tape revival, a movement that celebrates the outdated format. Since they hit the market in 1963, audiophiles have generally considered cassette tapes an inferior format to vinyl—tapes are more rugged than records, but the sound quality is markedly worse. The spread of CDs and streaming music pretty much killed off commercial cassette releases by the early 2000s, and it's easy to see why: Digital music doesn't hiss or degrade. Cassettes have a more narrow dynamic range. You can instantly select tracks on a CD or MP3 player, and it will never play at a slightly wrong speed, unspool, or melt on your car dashboard. Bonus: You never have to rewind them to hear a song again.
How to submit your own tapes to Intertape
If you're of a certain age, you probably have a dusty cassette or two hanging around somewhere. Don't let it molder in a desk drawer. Describe the origin of your recording and a background story, scan a picture of your tape, and email connect@intertapes.net to arrange you submission to the site. This collection really deserves to grow.
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