‘Killing Faith’ Review: Guy Pearce Escorts a Freed Slave and Her Strange Child in Offbeat Genre Hybrid ...Middle East

Once ubiquitous in American theaters (and still quite healthy in Taylor Sheridan’s domain), big-screen Westerns are relatively scarce these days. When such tales do surface, however, they’re increasingly comingled with a genre that’s very much on the rise: horror. The latest such shotgun marriage, “Killing Faith,” is a somewhat murky and unsatisfying one. Still, its […]

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