Paprika
(Sony Pictures Entertainment Japan)Satoshi Kon’s entire body of work is all about dreams, from the paranoid nightmare-scapes of Perfect Blue to the memory lane musings of Millennium Actress. Paprika, however, is the director’s dreamiest film to date. In a not so distant sci-fi future, scientists have invented the DC Mini – a device that allows a user to entire people’s dreams. One of the heads of the research project has been using the device outside of office hours, making unsanctioned visits to psychiatric patients disguised as her dream-detective alter ego Paprika. While gallivanting through people’s brainscapes, Paprika stumbles across a dream parade made up of gods, monsters, and random household objects – looks like a pretty good time. After several DC Mini prototypes are stolen in the real world, the dream parade begins to invades the mind of others, with unexpectedly deadly consequences. Through a heady combination of whimsy and terror, Paprika leaves you feeling like you’ve just come down off a heroic dose of hallucinogens as the credits roll – which is what you’re here for.
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